{"id":2714,"date":"2026-08-25T08:08:46","date_gmt":"2026-08-25T08:08:46","guid":{"rendered":"https:\/\/staging.archiviopiattella.it\/solo-exhibitions\/"},"modified":"2026-08-25T08:08:46","modified_gmt":"2026-08-25T08:08:46","slug":"solo-exhibitions","status":"publish","type":"page","link":"https:\/\/staging.archiviopiattella.it\/en\/solo-exhibitions\/","title":{"rendered":"Solo Exhibitions"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row admin_label=”Riga” _builder_version=”4.21.0″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider show_divider=”off” _builder_version=”4.21.0″ _module_preset=”default” height=”100px” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” header_font=”Poppins||||||||” header_text_align=”left” header_font_size=”40px” global_colors_info=”{}”]<\/p>\n

Solo Exhibitions<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”56-58″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1956<\/strong>
Pesaro, Saletta Rossini, Le case<\/em>, catalogue text by Valerio Volpini<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1958-1.jpg” title_text=”1958″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1958<\/strong>
Milano, Galleria dell\u2019Ariete, catalogue text by Franco Russoli<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”60-65″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1960-1.jpg” title_text=”1960″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1960<\/strong>
Roma, Galleria La Medusa, Esposizione di opere recenti di Oscar Piattella<\/em>, catalogue text by Franco Russoli<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1965<\/strong>
Urbino, Galleria dell\u2019Aquilone, catalogue text by Luigi Dania<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”68-70″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1968-1.jpg” title_text=”1968″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1968<\/strong>
Milano, Galleria dell\u2019Ariete, catalogue text by Roberto Sanesi<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1970<\/strong>
Roma, Galleria delle Arti Visive, Oscar Piattella 1966\/70,<\/em> catalogue text by Enrico Crispolti<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”71-72″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1971-1.jpg” title_text=”1971″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1971<\/strong>
Roma, Galleria delle Arti Visive, catalogue text by Cesare Vivaldi<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1972<\/strong>
Urbino, Galleria dell\u2019Aquilone, catalogue text by Carlo Melloni<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”73-75″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1973_bis.jpg” title_text=”1973_bis” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1973<\/strong>
Torino, Galleria Il Punto, catalogue text by Cesare Vivaldi
Calice Ligure, Galleria Il Punto, catalogue text by Cesare Vivaldi
Milano, Galleria d\u2019arte Vinciana, catalogue text by Cesare Vivaldi<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1975-1.jpg” title_text=”1975″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1975<\/strong>
Milano, Galleria Ariete Grafica
Milano, Galleria d\u2019arte Vinciana,<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”76-77″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1976-1.jpg” title_text=”1976″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1976<\/strong>
Udine, Galleria Plurima, catalogue text by Gianni Contessi<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1977-3-1.jpg” title_text=”1977-3″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1977<\/strong>
Falconara, Galleria Il Falconiere, Il corsaro nero<\/em>, catalogue text by Giulio Angelucci<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”78-79″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|||-80px|false|false” custom_padding=”|||0px|false|false” global_colors_info=”{}”]<\/p>\n

1978<\/strong>
Roma, Galleria International Arts, catalogue text by Cesare Vivaldi
Fabriano, Galleria La Virgola<\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1979<\/strong>
Macerata, Pinacoteca comunale, catalogue text by Elverio Maurizi<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”80-81″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1980-1.jpg” title_text=”1980″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1980<\/strong>
Roma, Galleria Rondanini, Dalla superficie allo spazio<\/em>, catalogue correspondence between Mario Apolloni and the artist<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1981<\/strong>
Ancona, Galleria Puccini, catalogue text by Fabio Ciceroni<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”82-84″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1982-2.jpg” title_text=”1982″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1982<\/strong>
Pesaro, Palazzo Lazzarini, I muri<\/em>, catalogue texts by Miklos N. Varga,
Gianfranco Mariotti and the artist<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1984-2-1.jpg” title_text=”1984-2″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1984<\/strong>
Cagli, Galleria BelloSguardo, catalogue texts by Sandro Sartori and the artist<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”85-87″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1985<\/strong>
Porto Sant\u2019Elpidio, Galleria Vesprini\u2019s Meetings, catalogue text by Luigi Dania
Terni, Galleria Forzani, (with Walter Valentini)<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1987-1.jpg” title_text=”1987″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1987<\/strong>
Roma, Galleria Rondanini, Materia come realt\u00e0 Materia come sogno<\/em>, catalogue texts
by Luciano Caramel, Silvia Cuppini, Giorgio Baiardi and the artist
Urbino, Palazzo Ducale, catalogue texts by Luciano Caramel, Silvia Cuppini,
Giorgio Baiardi and the artist<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”88-89″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1988<\/strong>
Bologna, Arte Fiera \u201888, Galleria La Pergola di Pesaro<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1989-1.jpg” title_text=”1989″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1989<\/strong>
Parigi, Galerie Arlette Gimaray
Brive-La-Gaillarde, Salon d\u2019Autumne, Galleria La Pergola di Pesaro
Barcellona, Biaf \u201889, Studio Copernico di Milano (with Giuliano Vangi)<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”90-91″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1990-1.jpg” title_text=”1990″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1990<\/strong>
Ascoli Piceno, Palazzo dei Capitani, Tra regola e accadimento<\/em>. Pitture dal 1975 al 1990, catalogue texts by Luciano Caramel and Carlo Melloni
Parigi, Galerie Arlette Gimaray
Torino, Arte 1990, Palazzo Nervi, Studio Copernico di Milano<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1991-1.jpg” title_text=”1991″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1991<\/strong>
Perugia, Rocca Paolina, Materia come realt\u00e0 Materia come sogno<\/em>, catalogue texts by Fabrizio D\u2019Amico and the artist and a poem by Anna Buoninsegni<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”93-94″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1993_BIS-1.jpg” title_text=”1993_BIS” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1993<\/strong>
Parigi, Galerie Arlette Gimaray, catalogue text by Benedicte Bessette
Fano, Galleria Comunale, Il sentimento della materia, <\/em>catalogue texts by Bruno Ceci and the artist
Pesaro Galleria La Pergola, Primo tempo del fare pittura<\/em>, catalogue text by Giorgio Spallacci<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1994-1.jpg” title_text=”1994″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1994<\/strong>
Grottammare, Stamperia dell\u2019Arancio, Il tempo del colore<\/em>, catalogue texts by Fabrizio D\u2019Amico and Francesco Lista
Milano, Caff\u00e9 Lord Byron, I muri di Oscar Piattella, 1988-1994<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”95-96″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1996-1.jpg” title_text=”1996″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1995<\/strong>
San Severo, Associazione culturale Dedalos
Parigi, Galerie Arlette Gimaray, catalogue text by Fabrizio D\u2019Amico<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1996<\/strong>
Pesaro, Showroom Paci & Partners, La materia e il colore<\/em>, catalogue text by Floriano De Santi<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”97-98″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1997-1.jpg” title_text=”1997″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1997<\/strong>
Parigi, Piattella, la forma dell\u2019informale<\/em>, Galerie Arlette Gimaray, catalogue texts by Gilbert Lascault, Virginie Gimaray, Bruno Ceccobelli and the artist
Piacenza, Galleria Galliata, La forma della materia<\/span>
Parigi, Gli acquerelli di Oscar Piattella<\/em>, Galerie Arlette Gimaray
Taichung,Taiwan Modern Art Gallery<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/09\/1998.jpg” title_text=”1998″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1998<\/strong>
Genova, Spazio Arte Fitzcarraldo, catalogue text by Ettore Bonessio di Terzet
Alassio, Galleria Menzani<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”99-00″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/1999-2.jpg” title_text=”1999″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

1999<\/strong>
Cagli, Palazzo Pubblico \u2013 Cantiano, Teatro comunale, Sentire la materia: opere 1955- 1998<\/em>, catalogue texts by Enrico Crispolti, Gianni d\u2019Elia and the artist with an interview by Alberto Pancrazi<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2000-1.jpg” title_text=”2000″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2000<\/strong>
Taichung,Taiwan Modern Art Gallery, catalogue text by Enrico Crispolti<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”02-04″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2002-1.jpg” title_text=”2002″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2002<\/strong>
Pesaro, Palazzo Gradari, catalogue texts by Yves Bonnefoy, Fabrizio D\u2019Amico, Andrea Emiliani, Francesco Scoppola and the artist<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2004-2.jpg” title_text=”2004″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2004<\/strong>
Sassoferrato, Palazzo Ex-Pretura, catalogue texts by Mauro Corradini, Stefano Troiani, Fabio Scotto, Vitaliano Angelini, Leo Strozieri, Yves Bonnefoy<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”05-06″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2005-2.jpg” title_text=”Print” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2005<\/strong>
Tours, Castello di Tours, Yves Bonnefoy, Poesie et Peinture 1993-2005<\/em> (solo exhibition), catalogue text by Yves Bonnefoy<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2006-1.jpg” title_text=”2006″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2006<\/strong>
Ancona, Pinacoteca Comunale, Le cose che non ci sono<\/em>, catalogue texts by Michele Polverari, Eugenio De Signoribus and the artist<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”07-09″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2007-2.jpg” title_text=”2007″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2007<\/strong>
Staffolo, Collegiata San Francesco, La luce della materia<\/em>, catalogue text by Lucilla Niccolini<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2009-1.jpg” title_text=”Print” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2009<\/strong>
Ripe San Ginesio, Pinacoteca Comunale, Un passaggio a Ripe<\/em>, catalogue text by Armando Ginesi<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”10-11″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2010-1.jpg” title_text=”Print” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2010<\/strong>
Gubbio, Palazzo Ducale, Opere 1958-2010<\/em>, catalogue texts by Giuseppe Billi, Massimo Cacciari, Luca Cesari, Fabrizio D\u2019Amico, Andrea Emiliani, Sandro Parmiggiani, Francesco Scoppola, the artist and poems by Yves Bonnefoy, Tiziano Broggiato, Anna Buoninsegni, Enrico Capodaglio, Maurizio Cucchi, Gianni D\u2019Elia, Eugenio De Signoribus, Franco Loi, Bernard N\u00f6el, Feliciano Paoli, Umberto Piersanti, Fabio Scotto, Maria Luisa Spaziani<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2011_bis-1.jpg” title_text=”Print” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2011<\/strong>
Pesaro, Galleria Frusaglia, Piccole pitture <\/em>2011, catalogue texts by Feliciano Paoli, Fabio Scotto and a poem by Franco Bozzi<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”12-13″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2012-1.jpg” title_text=”Print” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2012<\/strong>
Macerata, Galleria Terraferma, catalogue text by Lucio Del Gobbo<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2013<\/strong>
Tournai, Mus\u00e9e des Beaux-Arts, La beaut\u00e9 sauvera le monde<\/em> (solo exhibition), catalogue text by Jean Pierre De Rycke and the artist<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”14-15″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2014-1.jpg” title_text=”Print” url=”https:\/\/staging.archiviopiattella.it\/en\/digital-catalogues\/#gualdo2014″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2014<\/strong>
Gualdo Tadino, Chiesa di San Francesco, Il colore che si denuda<\/em>, catalogue texts by Catia Monacelli, Duccio Trombadori, Ugo Amati, Anna Buoninsegni, Fabio Scotto and the artist<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/09\/2015.jpg” title_text=”2015″ url=”https:\/\/staging.archiviopiattella.it\/en\/digital-catalogues\/#gualdo2014″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2015<\/strong>
Pesaro, Galleria Ca\u2019 Pesaro, Gli spazi dei colori<\/em>, catalogue texts by Anna Buoninsegni and Fabio Scotto<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”14-15″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2016-1.jpg” title_text=”Print” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2016<\/strong>
Monte Vidon Corrado, Centro Studi Casa Museo Osvaldo Licini, … e poi fioriscono le stelle<\/i>, catalogue texts by Daniela Simoni, Nunzio Giustozzi, Francesco Scarabicchi, Fabio Scotto<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2017-1.jpg” title_text=”Print” url=”https:\/\/staging.archiviopiattella.it\/en\/digital-catalogues\/#urbino2017″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]2017 <\/strong>
\nUrbino, Casa Natale Raffaello, Disvelarsi del principio<\/i>, catalogue texts by Alberto Mazzacchera, Michele Bianchi, Flavio Ermini, Umberto Palestrini and the artist[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”19-20″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2019-1.jpg” title_text=”Print” url=”https:\/\/staging.archiviopiattella.it\/en\/digital-catalogues\/#flipbook-df_788\/1\/” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2019<\/strong>
Perugia, CERP, Rocca Paolina, Nel di-segno del colore<\/i>, catalogue texts by Aldo Iori, Alberto Mazzacchera, Bruno Ceccobelli and the artist<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/07\/2020-1.jpg” title_text=”Print” url=”https:\/\/staging.archiviopiattella.it\/en\/digital-catalogues\/#flipbook-df_447\/1\/” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2020<\/strong>
Pesaro, Centro Arti Visive Pescheria, Oscar Piattella: Disgregazione e unit\u00e0<\/em>, catalogue texts by Enrico Capodaglio, Bruno Ceci, Aldo Iori, Alberto Mazzacchera, Daniele Vimini and the artist<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”22-23″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/09\/2022.jpg” title_text=”2022″ url=”https:\/\/staging.archiviopiattella.it\/en\/digital-catalogues\/#gubbio2010″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2022<\/strong>
Gubbio, Spazio Toni Bellucci, Co-abitazione. Oscar Piattella<\/em>, 18\u00b0 Giornata del Contemporaneo.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2023\/09\/2223.jpg” title_text=”2223″ url=”https:\/\/staging.archiviopiattella.it\/en\/digital-catalogues\/#gubbio2010″ _builder_version=”4.22.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2022-23<\/strong>
Senigallia, Spazio Made in Tomboy, Oscar Piattella. Quando nasce l\u2019azzurro<\/em>, catalogue texts by Alberto Mazzacchera, Luca Bucari.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”24″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2024\/12\/2024-1.jpg” title_text=”2024-1″ url=”https:\/\/staging.archiviopiattella.it\/en\/digital-catalogues\/#flipbook-df_2076\/1\/” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2024<\/strong>
Falconara, CART Centro documentazione arte contemporanea, Ancona, Galleria d\u2019Arte Puccini, Oscar Piattella Materia di luce. Opere anni 2001 – 2007, <\/i>catalogue texts by Gualtiero De Santi and Alberto Mazzacchera<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2024\/12\/2024-2.jpg” title_text=”2024-2″ url=”https:\/\/staging.archiviopiattella.it\/en\/digital-catalogues\/#flipbook-df_2103\/1\/” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

2024<\/strong>
Taranto, CRAC Puglia Centro di Ricerca Arte Contemporanea, Oscar Piattella: La struttura della pittura, <\/i>catalogue texts by Giovanna Tagliaferro, Fernando Barbetti, Anna Buoninsegni Sartori, Aldo Iori and Alberto Mazzacchera<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ admin_label=”24″ _builder_version=”4.21.0″ _module_preset=”default” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/staging.archiviopiattella.it\/wp-content\/uploads\/2025\/02\/2025-1.jpg” title_text=”2025-1″ url=”https:\/\/staging.archiviopiattella.it\/en\/digital-catalogues\/#flipbook-df_2076\/1\/” _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”|-60px||-80px|false|false” custom_margin_tablet=”|0px||0px|false|false” custom_margin_phone=”|0px||0px|false|false” custom_margin_last_edited=”on|tablet” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

2025<\/strong>
Bologna, Biblioteca dell’Archiginnasio, PwC, Galleria Stefano Forni e Circolo della Caccia, Oscar Piattella: Fraseggio Geometrico, <\/i>catalogue texts by Fernando Barbetti, Anna Buoninsegni Sartori, Aldo Iori and Alberto Mazzacchera<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”on|on|on” _builder_version=”4.21.0″ _module_preset=”default” disabled=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Testo” _builder_version=”4.21.0″ _module_preset=”default” text_font_size=”12px” global_colors_info=”{}”]<\/p>\n

1956<\/strong>
Pesaro, Saletta Rossini, Le case<\/em>, catalogue text by Valerio Volpini<\/p>\n

1958<\/strong>
Milano, Galleria dell\u2019Ariete, catalogue text by Franco Russoli<\/p>\n

1960<\/strong>
Roma, Galleria La Medusa, Esposizione di opere recenti di Oscar Piattella<\/em>, catalogue text by Franco Russoli<\/p>\n

1965<\/strong>
Urbino, Galleria dell\u2019Aquilone, catalogue text by Luigi Dania<\/p>\n

1968<\/strong>
Milano, Galleria dell\u2019Ariete, catalogue text by Roberto Sanesi<\/p>\n

1970<\/strong>
Roma, Galleria delle Arti Visive, Oscar Piattella 1966\/70,<\/em> catalogue text by Enrico Crispolti<\/p>\n

1971<\/strong>
Roma, Galleria delle Arti Visive, catalogue text by Cesare Vivaldi<\/p>\n

1972<\/strong>
Urbino, Galleria dell\u2019Aquilone, catalogue text by Carlo Melloni<\/p>\n

1973<\/strong>
Torino, Galleria Il Punto, catalogue text by Cesare Vivaldi
Calice Ligure, Galleria Il Punto, catalogue text by Cesare Vivaldi
Milano, Galleria d\u2019arte Vinciana, catalogue text by Cesare Vivaldi<\/p>\n

1975<\/strong>
Milano, Galleria Ariete Grafica
Milano, Galleria d\u2019arte Vinciana,<\/p>\n

1976<\/strong>
Udine, Galleria Plurima, catalogue text by Gianni Contessi<\/p>\n

1977<\/strong>
Falconara, Galleria Il Falconiere, Il corsaro nero<\/em>, catalogue text by Giulio Angelucci<\/p>\n

1978<\/strong>
Roma, Galleria International Arts, catalogue text by Cesare Vivaldi
Fabriano, Galleria La Virgola<\/p>\n

 <\/p>\n

1979<\/strong>
Macerata, Pinacoteca comunale, catalogue text by Elverio Maurizi<\/p>\n

1980<\/strong>
Roma, Galleria Rondanini, Dalla superficie allo spazio<\/em>, catalogue correspondence between Mario Apolloni and the artist<\/p>\n

1981<\/strong>
Ancona, Galleria Puccini, catalogue text by Fabio Ciceroni<\/p>\n

1982<\/strong>
Pesaro, Palazzo Lazzarini, I muri<\/em>, catalogue texts by Miklos N. Varga,
Gianfranco Mariotti and the artist<\/p>\n

1984<\/strong>
Cagli, Galleria BelloSguardo, catalogue texts by Sandro Sartori and the artist<\/p>\n

1985<\/strong>
Porto Sant\u2019Elpidio, Galleria Vesprini\u2019s Meetings, catalogue text by Luigi Dania
Terni, Galleria Forzani, (with Walter Valentini)<\/p>\n

1987<\/strong>
Roma, Galleria Rondanini, Materia come realt\u00e0 Materia come sogno<\/em>, catalogue texts
by Luciano Caramel, Silvia Cuppini, Giorgio Baiardi and the artist
Urbino, Palazzo Ducale, catalogue texts by Luciano Caramel, Silvia Cuppini,
Giorgio Baiardi and the artist<\/p>\n

1988<\/strong>
Bologna, Arte Fiera \u201888, Galleria La Pergola di Pesaro<\/p>\n

1989<\/strong>
Parigi, Galerie Arlette Gimaray
Brive-La-Gaillarde, Salon d\u2019Autumne, Galleria La Pergola di Pesaro
Barcellona, Biaf \u201889, Studio Copernico di Milano (with Giuliano Vangi)<\/p>\n

1990<\/strong>
Ascoli Piceno, Palazzo dei Capitani, Tra regola e accadimento<\/em>. Pitture dal 1975 al 1990, catalogue texts by Luciano Caramel and Carlo Melloni
Parigi, Galerie Arlette Gimaray
Torino, Arte 1990, Palazzo Nervi, Studio Copernico di Milano<\/p>\n

1991<\/strong>
Perugia, Rocca Paolina, Materia come realt\u00e0 Materia come sogno<\/em>, catalogue texts by Fabrizio D\u2019Amico and the artist and a poem by Anna Buoninsegni<\/p>\n

1993<\/strong>
Parigi, Galerie Arlette Gimaray, catalogue text by Benedicte Bessette
Fano, Galleria Comunale, Il sentimento della materia, <\/em>catalogue texts by Bruno Ceci and the artist
Pesaro Galleria La Pergola, Primo tempo del fare pittura<\/em>, catalogue text by Giorgio Spallacci<\/p>\n

1994<\/strong>
Grottammare, Stamperia dell\u2019Arancio, Il tempo del colore<\/em>, catalogue texts by Fabrizio D\u2019Amico and Francesco Lista
Milano, Caff\u00e9 Lord Byron, I muri di Oscar Piattella, 1988-1994<\/em><\/p>\n

1995<\/strong>
San Severo, Associazione culturale Dedalos
Parigi, Galerie Arlette Gimaray, catalogue text by Fabrizio D\u2019Amico<\/p>\n

1996<\/strong>
Pesaro, Showroom Paci & Partners, La materia e il colore<\/em>, catalogue text by Floriano De Santi<\/p>\n

1997<\/strong>
Parigi, Piattella, la forma dell\u2019informale<\/em>, Galerie Arlette Gimaray, catalogue texts by Gilbert Lascault, Virginie Gimaray, Bruno Ceccobelli and the artist
Piacenza, Galleria Galliata, La forma della materia<\/span>
Parigi, Gli acquerelli di Oscar Piattella<\/em>, Galerie Arlette Gimaray
Taichung,Taiwan Modern Art Gallery<\/p>\n

1998<\/strong>
Genova, Spazio Arte Fitzcarraldo, catalogue text by Ettore Bonessio di Terzet
Alassio, Galleria Menzani<\/p>\n

1999<\/strong>
Cagli, Palazzo Pubblico \u2013 Cantiano, Teatro comunale, Sentire la materia: opere 1955- 1998<\/em>, catalogue texts by Enrico Crispolti, Gianni d\u2019Elia and the artist with an interview by Alberto Pancrazi<\/p>\n

2000<\/strong>
Taichung,Taiwan Modern Art Gallery, catalogue text by Enrico Crispolti<\/p>\n

2002<\/strong>
Pesaro, Palazzo Gradari, catalogue texts by Yves Bonnefoy, Fabrizio D\u2019Amico, Andrea Emiliani, Francesco Scoppola and the artist<\/p>\n

2004<\/strong>
Sassoferrato, Palazzo Ex-Pretura, catalogue texts by Mauro Corradini, Stefano Troiani, Fabio Scotto, Vitaliano Angelini, Leo Strozieri, Yves Bonnefoy<\/p>\n

2005<\/strong>
Tours, Castello di Tours, Yves Bonnefoy, Poesie et Peinture 1993-2005<\/em> (solo exhibition), catalogue text by Yves Bonnefoy<\/p>\n

2006<\/strong>
Ancona, Pinacoteca Comunale, Le cose che non ci sono<\/em>, catalogue texts by Michele Polverari, Eugenio De Signoribus and the artist<\/p>\n

2007<\/strong>
Staffolo, Collegiata San Francesco, La luce della materia<\/em>, catalogue text by Lucilla Niccolini<\/p>\n

2009<\/strong>
Ripe San Ginesio, Pinacoteca Comunale, Un passaggio a Ripe<\/em>, catalogue text by Armando Ginesi<\/p>\n

2010<\/strong>
Gubbio, Palazzo Ducale, Opere 1958-2010<\/em>, catalogue texts by Giuseppe Billi, Massimo Cacciari, Luca Cesari, Fabrizio D\u2019Amico, Andrea Emiliani, Sandro Parmiggiani, Francesco Scoppola, the artist and poems by Yves Bonnefoy, Tiziano Broggiato, Anna Buoninsegni, Enrico Capodaglio, Maurizio Cucchi, Gianni D\u2019Elia, Eugenio De Signoribus, Franco Loi, Bernard N\u00f6el, Feliciano Paoli, Umberto Piersanti, Fabio Scotto, Maria Luisa Spaziani<\/p>\n

2011<\/strong>
Pesaro, Galleria Frusaglia, Piccole pitture <\/em>2011, catalogue texts by Feliciano Paoli, Fabio Scotto and a poem by Franco Bozzi<\/p>\n

2012<\/strong>
Macerata, Galleria Terraferma, catalogue text by Lucio Del Gobbo<\/p>\n

2013<\/strong>
Tournai, Mus\u00e9e des Beaux-Arts, La beaut\u00e9 sauvera le monde<\/em> (solo exhibition), catalogue text by Jean Pierre De Rycke and the artist<\/p>\n

2014<\/strong>
Gualdo Tadino, Chiesa di San Francesco, Il colore che si denuda<\/em>, catalogue texts by Catia Monacelli, Duccio Trombadori, Ugo Amati, Anna Buoninsegni, Fabio Scotto and the artist<\/p>\n

2015<\/strong>
Pesaro, Galleria Ca\u2019 Pesaro, Gli spazi dei colori<\/em>, catalogue texts by Anna Buoninsegni and Fabio Scotto<\/p>\n

2016<\/strong>
Monte Vidon Corrado, Centro Studi Casa Museo Osvaldo Licini, … e poi fioriscono le stelle<\/i>, catalogue texts by Daniela Simoni, Nunzio Giustozzi, Francesco Scarabicchi, Fabio Scotto<\/p>\n

2017<\/strong>
Urbino, Casa Natale Raffaello, Disvelarsi del principio<\/i>, catalogue texts by Alberto Mazzacchera, Michele Bianchi, Flavio Ermini, Umberto Palestrini and the artist<\/p>\n

2019<\/strong>
Perugia, CERP, Rocca Paolina, Nel di-segno del colore<\/i>, catalogue texts by Aldo Iori, Alberto Mazzacchera, Bruno Ceccobelli and the artist<\/p>\n

2020<\/strong>
Pesaro, Centro Arti Visive Pescheria, Oscar Piattella: Disgregazione e unit\u00e0<\/em>, catalogue texts by Enrico Capodaglio, Bruno Ceci, Aldo Iori, Alberto Mazzacchera, Daniele Vimini and the artist<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Solo Exhibitions1956Pesaro, Saletta Rossini, Le case, catalogue text by Valerio Volpini1958Milano, Galleria dell\u2019Ariete, catalogue text by Franco Russoli1960Roma, Galleria La Medusa, Esposizione di opere recenti di Oscar Piattella, catalogue text by Franco Russoli1965Urbino, Galleria dell\u2019Aquilone, catalogue text by Luigi Dania1968Milano, Galleria dell\u2019Ariete, catalogue text by Roberto Sanesi1970Roma, Galleria delle Arti Visive, Oscar Piattella 1966\/70, catalogue […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"dipi_cpt_category":[],"class_list":["post-2714","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/staging.archiviopiattella.it\/en\/wp-json\/wp\/v2\/pages\/2714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.archiviopiattella.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/staging.archiviopiattella.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/staging.archiviopiattella.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.archiviopiattella.it\/en\/wp-json\/wp\/v2\/comments?post=2714"}],"version-history":[{"count":0,"href":"https:\/\/staging.archiviopiattella.it\/en\/wp-json\/wp\/v2\/pages\/2714\/revisions"}],"wp:attachment":[{"href":"https:\/\/staging.archiviopiattella.it\/en\/wp-json\/wp\/v2\/media?parent=2714"}],"wp:term":[{"taxonomy":"dipi_cpt_category","embeddable":true,"href":"https:\/\/staging.archiviopiattella.it\/en\/wp-json\/wp\/v2\/dipi_cpt_category?post=2714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}